
A question frequently asked of me is: How do you know when a book is done?
My first reply, while flippant, is the right answer. A book is never done, as a painting is never done. As artists and writers, no matter how many times we look at our "finished product," we always see just one more little thing, just a teensy thing we'd like to change. I've actually read my books after they're in print and wish I just had one more chance . . . I'd like to change that word, or I don't like that turn of phrase.
Or, there's the painting that hangs in my mother's den. I painted it. It's perfect for her den. It's a pretty landscape, a double waterfall with a little cabin close to the water's edge. She loves it. I hate it. Every time I go home, I have to sit and stare at that painting. I keep threatening to take it down and "fix" it. You see, it was done early on in my art career. I make much better clouds now, much freer, fluffier, softer. And, those trees! OMG . . . just gimme a brush! There are 3 trees sitting near the water. They're all the same height, same width, same color . . . Like triplets. What was I thinking?
When I was taking art classes, one of my teachers told the story of a famous artist (sorry, can't remember his name) who sold a painting to a well-known gallery, seems like it was the Louvre. From time to time, he went through the gallery. Employees began to notice slight changes in the painting. They were puzzled until they actually caught the artist making the changes. Gallery officials actually had to ban him from the gallery to keep him from making changes.
It's normal . . . get used to it. I guess it's like sweeping the floor. How many times have you put the broom away, only to discover some piece of dust glaring at you from a spot you absolutely know you swept clean? What do you do? Do you get the broom out and sweep that spot again? Maybe, but if you do, are you taking a chance that some piece of dust ( a particularly viscious dust bunny, perhaps) is just waiting to jump back to the floor when you get that spot you went back after? Yes, you are.
So, here's a bit of a guidline for finishing up, polishing your manuscript for the last time . . . or the next to last time, or the next to the next to last time. Look at the big picture, once more. Is it what you promised the reader in the first few paragraphs? Yes? Great. So this time through, you're just tightening, aren't you? Read it like a reader. If something snags the flow of words through you mind, now is the time to fix it. Is the meaning of a word unclear? Did you say exactly what you mean or the opposite of it? (The lights were not on. {as opposed to:} It was dark. Okay, you'll say it better than that, but I'm illustrating {or, illuminating, as it were} a point.) Fine tuning, that's the key here. You're fine tuning, not re-writing. If you're re-writing at this point, you have a problem and you need more than a quick pass to correct those kinds of problems. If you're bogging down, stop and go back to work on the book again. Don't call this your final pass. That puts pressure on you and you may find yourself glossing over things you'll later regret. (Like when you get that rejection slip or re-write letter.)
Now, you've made those last changes. Feels good, doesn't it? You're twirling around the room, singing some ridiculous ditty that you only sing when you're alone in your office and nobody, but nobody can hear you. Rejoice in that moment. Eat some chocolate. Eat lots of chocolate. Have a glass of wine (or Pepsi.) Then, sit down and read it again. This, my friend, this is your last pass.
And, the next time I go to my mother's, I'm taking my paints with me. I'm going to fix those trees and work on those clouds . . . when her back is turned!
As for sweeping? Hmm . . . Not so much. I love dust bunnies. Dust bunnies deserve a nice place to live, too, don't you think?
Now, for the photograph above . . . Interesting, isn't it? What does it have to do with this blog? Well, my writing friend, everything. It symbolizes, for me, the traps we fall into as writers. Suddenly, we find ourselves pulled this way or that way. And, those influences are all external. (Well, for the most part.) It's the little interruptions or the big ones that happen sometimes. It's life. Our families, our jobs, our outside interests. Hurry up and finish that book so we can go and play. Or, hurry up and finish that book so we can take a vacation. Or, hurry up and finish that book so we can go shopping . . . it's those thousands of external traps that rush us when we least need to be rushed. Finishing a book is almost more important than starting it. (Obviously, starting is important or there would be nothing to finish, right?) But, I'm talking about those little touches that make books work, the things that make readers sit back and say, "Wow. What a writer." If we're in a big hurry during our polishing stage, then, perhaps, those wonderful touches won't get made. So, don't let somebody hurry you through. Not even an editor. Make sure those last passes when you make your manuscript shine are paced in such a way that you really can look at the words and phrasing, or the foreshadowing, or the connections . . . all those kinds of things. Never, ever rush though this phase. Not for your children, not for your hubby ( or wife or significant other), not for your agent, not for your editor . . . not even for your mama.
Write on!
Nancy

